Where Bernarda keeps an extremely white house she wants no depravity or sin in her home and hence keeps it squeaky clean the irony is that all her daughters, and she herself, are black on the inside, rotting under their repression. 2016. Golden Age Religious Painting and Italian Influence. The housekeeper (La Poncia) and Bernarda's elderly mother (Mara Josefa) also live there. Bernarda stating her belief that her daughters' actions are caused by her leniency (Repression vs Liberty), *Eventually these will reference the positioning of these quotes, Bernarda's description of poorer people (Social Injustice). It has been my observation that both poles of absolute freedom personified by Adela and absolute authority as personified by Bernarda lead to ruin. Spain. inequality physically restrained political ? There are no men seen on the stage in the play, yet they are never far from the action. Spain after the Civil War. Introduction and Language. Also available in package deal from $13.02. Second Spanish Republic. Non, je n'ai pas pris de photos de la place de la Concorde. Garcilaso de la Vega. Alfonso X. El Sabio: Histories and Translations. Adela, not knowing that Pepe survived, has hanged herself. In 2019, Dulaang Unibersidad ng Pilipinas staged Lorca's "La Casa de Bernarda Alba" for its 44th theatre season under the direction of Alexander Cortez. An Authoritarians Nightmare. Tension explodes as family members confront one another, leading to Bernarda pursuing Pepe with a gun. Adela dies unrepentant, and it now remains for Bernarda to do her best to cover up the disgrace brought upon the family. For example, although Adela affirms her right to love whom she chooses and defy her mothers will in consorting with men that she would not want her with, everyone in the household including the other women who also want to be free and to love; do not approve of her relationship with Pepe who is engaged to Angustias. Second Spanish Republic. Italy. In his representation of domestic dictatorship, Bernardas first and last word in the play is silence, highlighting her intransigence and abuse of power. Many or all of these privileges are denied to women in some third world countries today. Any woman who criticises the politics of Margaret Thatcher or Sarah Huckabee is, by this logic, somehow betraying feminism. Gender inequality is discrimination on the basis of sex or gender causing one sex or gender to be routinely privileged or prioritized over another. Classification. History of the Jews and Conversos in Spain. Spanish Ballads. Adela shows the most horror when the family hears the latest gossip about how the townspeople recently tortured a young woman who had delivered and killed an illegitimate baby. Catalonias Unique Style. Despite Pepe's absence, he has the most . Indeed, all we know about Pepe, we learn from the Alba family and their two servants, La Poncia and Criada. Another possible tragic force is repression. Velzquezs Early Paintings. Bermejazo platero de las cumbres. Ziryab (789-857) and Spanish Food, Fashion and Etiquette. Pepe, Angustias and Honour. Garcilaso de la Vega. Gngora. And yet what Pepe also represents is the ugly side of a man. Gaudi. Lorca accomplishes this balance through his precise use of language, through the rhythmic use of silence, and through the haunting atmospheric effect of his theatricality. So in the end, what makes La Poncia best fit into the Alba household is the camaraderie they all share as a result of being women in a world that represses them. Characters: Bernardas Daughters. Adela killed herself in order to gain the absolute freedom from her Bernardas tyranny and Bernarda in trying to preserve Adelas virtues by cloistering her caused her to seduce and sleep with Pepe in the straw, as she was prevented from having a beau in the conventional way. Request Permissions, Published By: Indiana University of Pennsylvania. Write an article and join a growing community of more than 160,300 academics and researchers from 4,571 institutions. Camino de Santiago. Invite others to join in 9. This is an urgent matter for Bernarda, because otherwise Adelas behaviour will become the object of village gossip very much like the disgraceful conduct of Paca la Roseta (a married woman who willingly accompanied the village men on horseback with her breasts exposed while her husband was tied up to a manger (Act I, 132), which Bernarda had listened to avidly as La Poncia described it. Catalonia in the 14th Century. Pepe el Romanos escape without any apparent consequences for him confirms Adelas earlier observation that men get away with their transgressions (They are forgiven everything Act II, 159) and Amelias reflection that To be born a woman is the greatest punishment Act II, 159). Characters: La Poncia. Iberians and Celts in 19th and 20th-Century Spain. With family honour threatened by Adelas shameful behaviour and suicide, Bernarda now finds herself in a situation that she condemned in others and hastens to mount damage control. She demands silence claiming at the same time that Adela died a virgin. Al-Andalus. Pepe pays proper court to Angustias, visiting her at her window. ', Bernarda identifying the gender roles for those not born into the upper class (Gender inequality), Description of Bernarda's cane (Repression vs Liberty), 'llenar mi casa con el sudor de sus refajos y el veneno de sus lenguas', Bernarda exhibiting her fear of others' judgement (Reputation), Bernarda exclaiming that 'La Librada' should be punished for her actions, at the end of Act 2 (Reputation), Bernarda insisting that the men of the town are not fit to marry her daughters (Reputation), 'Una hija que desobedece deja de ser hija para convertirse en una enemiga', Bernarda warning her daughters against disobeying her (Repression vs Liberty), 'Mi sangre no se junta con la de los Humanes mientras yo viva! The play was first performed on 8 March 1945 at the Avenida Theatre in Buenos Aires. Gender equality is a fundamental human right and that right is violated by gender based discrimination. 10th Century. La Casa de Bernarda Alba (1987) - YouTube 0:00 / 1:39:05 La Casa de Bernarda Alba (1987) thisisnewshit2 364 subscribers Subscribe 177 Share 13K views 4 months ago Pelcula. The content of the Open Access version may differ from that of the licensed version. . '' The result is remarkably beautiful theatre that looks squarely at the murderous silence at the core of oppression. Maria Josefa is a strange character. The Right Takes Charge. The first two acts are set in fully white rooms, and all the women are expected to wear black dresses. An Oriental, Gothic Fantasy. 159). A Catalan Architect Par Excellence. Ultimately, Lorca does not want a complete dynamism between freedom and authority in which one triumphs over the complete destruction of another. A: As-tu pris des photos de la -place de la Concorde. THEATER THANATOS: THE CRY OF THE CATHARTIC CRITIC IN PILAR POMBO'S MUERE BELLACO! Al-Andalus. For example, Adelaidas fianc would not let her as far as the doorstep let alone attend the funeral of Bernardas second husband (Act I, 135). The play concerns characters that one might find in the real world (in fact, Lorca based them on people he once knew). Nevertheless, there are three other men, mentioned briefly, whose behavior is hardly exemplary: Bernardas second husband Antonio Maria Benavides (Act I, 123, 127), who has pursued Criada, lifting her petticoat (Act I, 123), La Poncias husband Evaristo el Colins whose first words to her are bluntly sexual: Come here. Political Regeneration and Restoration 1902-23. ', Mara Josefa shouting out to Bernarda why she wants to be freed (Repression vs Liberty), Mara Josefa declaring that Pepe el Romano will consume all the women of the household (Gender inequality), Pepe el Romano telling Angustias what characteristics he wants in a wife (Gender inequality), Martirio describing Pepe el Romano's shamelessness, Spanish-La casa de Bernarda Alba essay titles, Year 10 PPE1 revision - School Vocabulary, Year 10 Spanish - School Speaking Questions (, Cole Conlin, Elizabeth Millan, Max Ehrsam, Parthena Draggett, Annette Grant Cash, Cristina de la Torre, M. Victoria Garcia Serrano, Kim Potowski, Laila M. Dawson, Silvia Sobral. Velzquezs Early Years and Seville, 1599-1623. Alfonso XIII. The Story of St. James and The Camino de Santiago. Suffering from poor health, 39-year-old Angela is the only heiress to the familys fortune, which leads to other deeply human themes: envy, social injustice, hypocrisy. Bodegones and Daily Life. Step-by-step guide to Gender Equality Training Preparation phase 1. The Kharjas: Early Lyrical Poetry in Spain. As Martirio says after hearing about Adelaidas fathers scandalous behavior, for which he was not punished: Men cover for each other regarding things of this kind these things are repeated (Act I, 136). When the lights emulate sunset or sunrise, elongated bar shadows are projected onto the stage floor. Oldest daughter has priority in marriage The daughters spend the eight years mourning and making their trousseaus (clothes and linens they will take to their homes on marriage) Clear gender roles and inequality 'Hilo y agua para las hembras. Pepe, Adela and the Consequences of Dishonour. Spanish Ballads. These areas are also in third world or poorer nations where the traditional family structure is still depended on for law, order and stability that the governmental institutions cannot provide. Second Spanish Republic 1931-36. Therefore, themes of social/gender roles and authority become intertwined. In The House of Bernarda Alba, Lorca looks squarely at the tyranny of the patriarchal woman. Bernarda, her five unmarried daughters -Angustias, Magdalena, Amelia, Martirio and Adela-, her deranged mother (Maria Josefa), and two servants, La Poncia and the other called simply Criada (i. e. Garcia Lorca did not include it in his plan for a "trilogy of the Spanish land" (which remained unfinished at the time of his murder). resource to ask questions, find answers, and discuss thenovel. There is surely something sad about the fact that to find freedom, she has to retreat into her own fantasies, and yet the old woman is able to find peace in her fantasies of living with a new husband by the sea, finding sexual satisfaction in a pastoral landscape away from civilization. (LogOut/ In August 2012, Hyderabad, India based theatre group Sutradhar staged Birjees Qadar Ka Kunba, an Urdu/Hindustani adaptation of The House of Bernarda Alba. Decline of a Popular Genre. She brings wisdom through madness. Argoos. Al-Andalus: 10th Century. La Mezquita. Romanesque Architecture. Four Spanish Gothic Cathedrals: Their Historical Meaning. the honour of the family name depends on them. The cast is supported by a production that melds a hieratic, formal aesthetic with tropes of outback Australia. .a{fill:#8499a3} Gender disparity starts in childhood and are right now limiting the lifelong potential of . Pepe, we learn from the Alba family and their two servants la... She demands silence claiming at the murderous silence at the core of oppression the Avenida in... Her at her window all of these privileges are denied to women in some world... The Open Access version may differ from that of the family name depends on them Pepe we. 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